Wednesday, March 26, 2014

Sight Reading

Sight Reading is critical to musicianship.

The next few weeks in addition to the daily sight reading we do as choir you will have the opportunity to work on your sight reading INDIVIDUALLY as well.
The stronger we are individually the the stronger we are as a group.
We want each individual to be independently capable of their mastery of musical skills

DAILY ASSIGNMENT

You will create an account on www.SightReadingFactory.com
This is a prepaid account. I will text you your CODE.
The program reports your progress to me.
You are to log on and do 5 minutes a day Monday thru Friday.




Tuesday, March 25, 2014

Sight Singing & Concert Rules for AAAA

We perform Thursday April 10 at Weatherford HS (10:15 a.m.)

SIGHT SINGING Conference AAAA

The choral sight-reading contest encourages the extension of knowledge in basic fundamentals of music and rewards the consistent use of a systematic approach to sight-reading. The level of difficulty for each grade or class will allow for the demonstration of musicality as well as for technical accuracy.
The primary purpose of the commissioned sight-reading music is to test musical literacy at specific levels. The guidelines stated for the sight-reading material provide the composer with a parameter of difficulty in composing music for each specific classification. All of the elements need not be used in each composition. Harmonic, rhythmic or textual ideas whose primary purposes are to create special effects appropriate for concert performance would best not be used in graded instructional sight-reading materials.
Other general considerations for composers are:
  • Avoid using texts with unfamiliar words such as foreign or mythological terms or limericks.
  • Ensure that a tonal center is evident throughout the piece.
  • Return to the original key following a modulation.
  • Music for treble and men’s choirs should to be of equal difficulty to that of mixed choirs in the same classification.
  • Avoid introducing more than one rhythmic or harmonic problem at a time.
  • Remember that it is unnecessary to employ all of the allowed elements in a single piece.

Meter

    
Maximum of one meter change and return

Key

Major or minor keys up through four sharps and four flats
Possible modulation to relative major or minor keys

Harmony

Simple altered chords with the altered tone approached and left step-wise
Voice leading in all parts should be logical and should avoid leaps of the major 7th and the tritone

Texture

Homophonic, with polyphonic sections
No more than 25% polyphony

Rhythm

Dotted patterns
Simple syncopations
Tied notes across bar lines
Sixteenth note patterns
Eighth note triplets spanning no more than two beats may be used for necessary text accommodations

Length

36 to 42 measures including repeats

Voicings

Mixed: SATB; Girls: SSA; Boys: TBB

Text

Choir may use the printed text or their preferred method of reading on both readings.

Ranges

Sop. ISop. IIAlto
Ten. IBaritoneBass




Section 1110: CONCERT ORGANIZATION CONTEST 
(a) EVENTS. Competition will be provided in each region for the following organization events (event code in parentheses): 
(1) Band (100) 
(2) Orchestra (921) 
(3) String Orchestra (926) 
(4) Mixed Chorus (931) 
(5) Tenor-Bass Chorus (933) 
(6) Treble Chorus (935) 
(b) SCHEDULING. 

Monday, March 17, 2014

Communication on Grades and Calendar

COMMUNICATION COUNTS!

Performers must perform to receive credit and passing grades in performing arts classes.

Please keep up with your commitments. We post updates on Facebook, on the website, through Remind 101 text updates and through daily powerpoints in class.

Please continue to watch the calendar and check for upcoming dates that impact grades.
If you are not receiving reminders via text or email, please contact Ms Fletcher to subscribe at lisa.fletcher@fwisd.org

We have a benchmark at Northside HS THuesday night March 27 from 6:30-8.
This is mandatory for all students.

Please review information below. Communication is paramount.